24/40

IMDb editor Arno Kazarian offers a quick 12 movies to watch in 2024

Scenario

Anora, a young sex worker from Brooklyn, meets and impulsively marries the son of an oligarch. When word reaches Russia, her fairy tale is threatened when his parents travel to New York to have the marriage annulled. At the New York Film Festival, films including Anora and the dangerous, strangely erotic Misericordia.. Karren Karagulian has been in all of Sean Baker’s films, and this is his biggest role in any of his films. In the Vegas scene, the character refers to “McCarran Airport.” ; Although Las Vegas International Airport was known as McCarran International Airport for many decades, in 2021 its name was changed to Harry Reid International Airport at the end of the year.

Close link: Anora (2024)

Igor: PLEASE! STOP! screams! Daddy AFPWritten and performed by Slayyter. We all know the old saying that if something seems too good to be true, it probably is.

However, achieving this goal ultimately turns out to be more difficult than imagined

It’s an idea that applies not only to what might happen in everyday life, but also to what’s on the big screen, as writer-director Sean Baker’s latest feature illustrates. This widely acclaimed independent offering follows the misadventures of a Brooklyn dancer/sex worker (Mikey Madison) who falls in love with the insanely rich, stubborn and wildly irresponsible son of a Russian oligarch (Mark Eydelshteyn). Together they dive into an edgy, mocking tale, a dark fairytale romance laced with steroids, Quaaludes and crack. Their whirlwind romance quickly moves to Las Vegas, culminating in a green card wedding that the junior mobsters’ parents (Darya Ekamasova, Aleksey Serebryakov) want to cancel at any cost, even if it means inviting their fat, sleazy family of friends. and heavyweights (Karren Karagulian, Vache Tovmasyan, Yura Borisov) to lean on the alleged lovebirds.

Sure, there’s some really hysterical, wonderfully inventive material here, but it only hits the mark about half the time

As the chase unfolds, a series of frantic events send mom, dad, and friends into a frenzy, leaving Gothamite Cinderella disappointed, mistakenly believing that this time she’s really won the prize. It’s easy to think that the premise has a solid foundation for an outrageous, uproarious comedy, but unfortunately, the film only lives up to its potential for a while. Also, most of the story (especially in the first half of the film) is predictable, almost clichéd, and some parts drag on unnecessarily. To be honest, I’m a little at a loss as to what the critical buzz is about, perhaps best evidenced by its capture of the Palme d’Or at this year’s Cannes Film Festival, the event’s highest honor. I’m happy to admit that I’m a fan of Baker’s work, having thoroughly enjoyed his previous effort Red Rocket.

(2021), "The Florida Project" (2017) and "Tangerine" (2015)

But I really don’t understand how much praise this release has received. It’s a capable film in many ways, but the filmmaker clearly had better luck, and those earlier offerings make for better viewing opportunities in my opinion. Don’t fall for the hype because this really is one of those cases where something is too good to be true.